Bar Wars
Motherhood features the ultimate bar-room brawl: a battle betweem Xena and the ancient gods. KATE BARKER watches the fight on the set of the final episode and learns the secrets of Joxer's Tavern
In the 25 years since Xena and Gabrielle were encased in ice to
avoid certain death, Joxer the Mighty has been a very busy lad.
For one thing, he has found the time (and the means, raising the
possibility of a very interesting back story) to father Virgil, a
boy destined to become a legendary poet. For another, he has
established a tavern, legendary not so much for its status as a
watering hole, but more for the artifacts it holds. Joxer's Tavern
is a museum — dedicated to all things Xena.
The taverns spacious back room, located in one of Pacific
Renaissance's studio warehouses in West Auckland, was
designed and built to accommodate the literally explosive fire
and smoke effects of Xena's climactic battle with the gods in the
season five finale, Motherhood. During the episode, the back
room is just a few steps away from the tavern's main drinking
area. It's not that simple outside the Xenaverse, however. In the
production company's reality, the two halves of Joxer's Tavern
are in two completely different places.
Five minutes' drive away, in another nondescript studio
warehouse, lies the main room of Joxer's Tavern, a museum
designed to wow the eager public with images from the legend
of Xena, Warrior Princess.
One of the first things to be noticed is a rather familiar-
looking motif which adorns the walls, large round tables and
wooden beams overhanging the bar. Yes, the chakram (in its
original design) is everywhere — just to remind you of who this
place is dedicated to.
Most of the chakram designs have been painted onto the Structure
and its furniture, except for the gigantic aluminum copy hanging
on the right-hand wall. This mammoth recreation of Xena's
weapon, like most of the Tavern's props and set-dressings, had
been pre-made long before it was needed for this latest incar-
nation. Not that Props Designer Roger Murray can actually
recall the episode in which it was used. We've made so much
stuff," says Murray, who has been with Xena since the
beginning, '1 can't remember what it was for!"
When prompted, however, Murray's memory for episodes in
which some of the other items have been used is slightly clearer.
In a corner of the tavern, on a gallows-like version of a
dressmaker's dummy, hangs a simpler, stylized version of
Xena~ original costume. The top half has the softer body armour
that identifies it as part of a stunt costume used in earlier
seasons. The lower half is made of a softer, much thinner
material; certainly not the leather used in the real' costumes
worn by Lucy Lawless and her doubles on the show.
"That's the play costume," remembers Murray, referring to the
episode The Play's the Thing, where a stage play was mounted
which dramatizes the exploits of Xena. "When we did the play"
Murray continues, we made panto swords for it too."
The set itself is a generic tavern" used for many episodes
calling for scenes inside an inn, and nearly every piece of its
memorabilia has been used several times before. Hung strategi-
cally at various places around the tavern are many well-known
and recognizable 'Xena esque' items. For instance, there's the
original Gabrielle outfit hanging on the back wall. Other familiar
souvenirs include copies of the original and yin-yang chakrams,
Xena's whip (once traded to the would-be warrior Minya in A
Day in the Life), Gabrielle's staff and sais, and even a Xena doll.
Prominent place is also given to a display of Gabrielle's scrolls
(like the ones uncovered in the 1940s episode The Xena Scrolls),
revealing to the general populace (and at one pivotal moment, to
Eve) the epic adventures of the Warrior Princess. The obvious
question has to be asked: is the text quilled onto the parchment
authentic ancient Greek? Unfortunately not, says Murray, who
then goes on to explain the reasons why "At the end of the day,
Greek looks like Greek; this is fiction, so it's better to make up
your own text."
Authentic texts or not, Joxer's Tavern makes a very impressive
museum. Perhaps this could be the earliest example of the
beginnings of a Xena fan club? It's very easy' to suspend one's
disbelief when standing amongst so much memorabilia, objects
that are in their own way 'authentic' artifacts from Xena's
history
That is, of course, if you forget your initial walk through the
Xena Propshop, passing half-painted swords and silicon moulds
for frozen bodies. Still, it's no more disconcerting than seeing
Hades (Stephen Lovatt) reclining in his trailer with a good book,
waiting for his next scene, with a Xena Wardrobe' robe hanging
loosely over his leathers. Just a little longer in Joxer's Tavern,
please...?
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